Gordimer, Nadine, Telling Times: Writing and Living, 1954-2008 (New York: Norton, 2010) ("Within the small group of intellectuals in South Africa, writers represent an even smaller group; and for that reason perhaps the people of the country might be content to ignore what is happening to them." "But what of the readers? What of the millions, from university professors to children spelling out their first primers, for whom the free choice of books means the right to participate in the heritage of human thought, knowledge and imagination?" "Yes, they still have a great many uncensored books to read . . . though even the classics have been shown not to be immune from South African censorship . . . . But surely the people realise that no one can be well-read or well-informed or fitted to contribute fully to the culture and development of his own society in the democratic sense while he does not have absolutely free access to the ideas of his time as well as to the accumulated thought of the past, nor while, in particular, there are areas of experience in the life of his own society and country, which through censorship, ere left out of his reading? . . ." Id. at 130-131. "To be literate is to be someone whose crucially formative experience may come just as well from certain books as from events." Id. at 38. "When one says one writes for 'anyone who reads me' one must be aware that 'anyone' excludes a vast number of readers who cannot 'read' you or me because of concerns they do not share with us in grossly unequal societies. . . . This is the case even for those of us, like me, who believe that books are not made out of other books, but out of life." "Whether we like it or not, we can be 'read' only by readers who share terms of reference formed in us by our education--not merely academic but in the broadest sense of life experience: our political, economic, social and emotional concepts, and our values derived from these: our cultural background. It remains true even of those who have put great distances between themselves and the inducted values of childhood: who have changed countries, convictions, ways of life, languages. Citizenship of the world is really another acculturation, with its set of givens which may derive from many cultures yet in combination becomes something that is not any of them." Id. at 440-441. "See also Adam Kirsch, Letters form Johannesburg, NYT Book Review, Sunday, 8/1/2010.).
Hitchens, Christopher, Hitch-22: A Memoir (New York & Boston: Twelve, 2010) ("It is quite a task to combat the absolutists and the relativists at the same time: to maintain that there is no totalitarian solution while also insisting that, yes, we on our side also have unalterable convictions and are willing to fight for them. After various allegiances, I have come to believe that Karl Marx was rightest of all when he recommended continual doubt and self-criticism. Membership in the skeptical faction is the great imperative of our time. . . . To be an unbeliever is not to be merely 'open-minded.' It is rather, a decisive admission of uncertainty that is dialectically connected to the repudiation of the totalitarian principle, in the mind as well as in politics. . . . [A]nd I find that for the remainder of my days I shall be happy enough to see if I can emulate the understatement of Commander Hitchens and say that at least I know what I am supposed to be doing." Id. at 433. "Near the end of his new book, Hitch-22, which is neither strictly a memoir nor quite a political essay but something in between, Christopher Hitchens informs the reader that he has, at long last, learned how to 'think for oneself,' implying that he had failed to do so before reaching the riper side of middle age. This may not be the most dramatic way to conclude a life story. Still, thinking for oneself is always a good thing. And, he writes, ' the ways in which the conclusion is arrived at may be interesting . . . just as it is always how people think that counts for much more than what they think'." Ian Buruma, "The Believer," NYRB, July 15, 2010, 6-10, at 6. Also take in David Runciman, "It's Been a Lot of Fun," London Review of Books, 24 June 2010, 11-14; and David Brooks, "Such, Such Are His Joys," NYT, Opinions, 7/2/2010. "The new memoir from Christopher Hitchens reveals the literary life of a political provocateur.").
Lanier, Jaron, You Are Not a Gadget: A Manifesto (New York: Knopf, 2010) ("It's early in the twenty-first century, and that means that these words will mostly be read by nonpersons--automatons or numb mobs composed of people who are no longer acting as individuals. . . ." "The vast fanning out of the fates of these words will take place almost entirely in the lifeless world of pure information. Real human eyes will read these words in only a tiny minority of cases." "The words in this book are written for people, not computers. "I want to say: You have to be somebody before you can share yourself." Id. at ix. "The Blankness of Generation X Never Went Away, but Became the New Normal." Id. at 128. "It is worth repeating obvious truths when huge swarms of people are somehow able to remain oblivious. That is why I feel the need to point out the most obvious overall aspect of digital culture: it is comprised of wave after wave of juvenilia." "Some of the greatest speculative investments in human history continue to converge on silly Silicon Valley schemes that seem to have been named by Dr. Seuss. On any given day, one might hear of tens or hundreds of millions of dollars flowing to a start-up company named Ublibudly or MeTickly. These are names I just made up, but they would make great venture capital bait if they existed. At these companies one finds rooms full of MIT PhD engineers not seeking cancer cures or sources of safe drinking water for the undeveloped work by schemes to send little digital pictures of teddy bears and dragons between adult members of social networks. At the end of the road of the pursuit of technological sophistication appears to lie a playhouse in which humankind regresses to nursery school." Id. at 182.).
Leist, Anton & Peter Singer, eds., J. M. Coetzee and Ethics: Philosophical Perspectives on Literature (New York: Columbia U. Press, 2010) ("Why should philosophers and writers, readers of philosophical literature and readers of the belles lettres, be interested in each other? In actual fact, they rarely are, but once in a while a philosopher strikes a chord with the readers of fine literature, and, vice versa, a writer of poetry or novels provokes philosophers to read him. John M. Coetzee is surely a candidate for this second category, and therefore motivates the questions asked in the present selection of essays. . . . " Id. at 1. "Whatever position in philosophy one takes, an awareness of how literature responds to the external pressures put on the mental format of our modern Western tradition has an extremely liberating effect on philosophy's internal self-control and, in part, self-restriction. Philosophy tends to involve its students in foundational projects instead of opening their views to more practical problems of the real world--although applied ethics and political philosophy are often exceptions. Literature is frequently a more natural and more human way of expressing oneself. In the hands of great artists, it portrays our most elementary experiences. Other art forms may also do this, but literature is the most verbally explicit of the arts and therefore always the ultimate medium in which to be critical toward something, including philosophy, and to orient ourselves in the world. Ethics, and applied ethics especially, is helped by the literary imagination, of it confronts the conflicting forces visible in different philosophical positions as well as in our everyday culture. Coetzee's literary works is exemplary in this sense, as he himself is driven by the different tendencies and alternative that are liberated when modernism is put on trial. Not least among these is the attempt to find pieces of transcendental philosophy in literature, which again shows both the problem faced by philosophy and the advantage of literature, To shift the puzzle of philosophical reflection into literature could be at least a first step toward tackling them in a more realistic and practical manner. It could yield insights hard to come by in the usual academic style of philosophical work." Id. at 13-14.).
George Orwell, "Literature and the Left," Tribune, 4 June 1943, reprinted in George Orwell, The Complete Works of George Orwell, Volume 15: Two Wasted Years, 1943 edited by Peter Davison (London: Seeker & Warburg, 1998), at 125-127 ("The illiteracy of politicians is a special feature of our age--as G. M. Trevelyan put it, 'In the seventeenth century Members of Parliament quoted the Bible, in the eighteenth and nineteenth centuries, the classics, and in the twentieth century nothing'--and it s corollary is the literary impotence of writers." Id. at 126. And who do our politicians, our writers, and we ourselves, quote now in the twenty-first century? Can you quote less than nothing?).
GO OUT AND DO SOMETHING RADICALLY RETROGRESSIVE: PURCHASE A GOOD (SUBSTANCE- AND CONTENT-WISE) PRINTED BOOK. THEN GO HOME AND DO SOMETHING EVEN MORE RADICALLY RETROGRESSIVE: READ IT! AND, IF YOU ARE FEELING AMBITIOUS, FIND A MATURE PERSON TO DISCUSS THE BOOK WITH YOU. I KNOW, I KNOW. DISCUSSING BOOKS AND IDEAS WITH REAL PEOPLE IS REALLY RETROGRESSIVE SOCIAL NETWORKING.